Thursday, September 18, 2014

"Slipping From Your Heart" from The Deadline Shakes

Since the Scots are voting on independence today, we think it is appropriate to post some Scottish music.  The choice is the upcoming single from Glasgow's The Deadline Shakes.  It meets our criteria because the band plays a style of guitar pop for which Glasgow is well known, and because the song, "Slipping From Your Heart", speaks to the prospect of losing someone close to you.  The tempo of the track is a bit slower than some of their other offerings, but offers some swells that may remind you of Queen (the group, not The Queen, I'm not going to get into politics).  And it is a fine opportunity for this talented young band to demonstrate some new dynamics.

The single will be released on November 10, but is available for pre-order from Glasgow label Flowers In The Dustbin.



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Wednesday, September 17, 2014

REVIEW: Allah Las - Worship the Sun


On their 2012 self-titled debut LP, the Allah Las blended garage rock, folk rock, country, surf and a bit of Britpop and Latin rhythms into a magical brew of mid-tempo, minor key nuggets that resonated with me, and it appears with a large number of other musical fans.  Two years down the road brings the band's sophomore release, Worship the Sun.  For this outing there is no shift in templates.  Rather, the band simply has focused on getting better at what they do well.  And even better they are.  Worship the Sun yields no ground to the excellence of their 2012 debut and, in my view, is a better and more varied set of songs.

There is no doubt that Miles Michaud (guitar, lead vocals), Matthew Correia (drums, vocals), Pedrum Siadatian (lead guitar, vocals), and Spencer Dunham (bass, vocals) are apt students of pop music.  One only need listen -- as I do faithfully every Wednesday -- to the weekly mix that they and their friends assemble under the name Reverberation Radio (link) to know that these guys have a depth of influences that no ordinary musician's record collection could hope to replicate.  But having a good ear doesn't necessarily lead to the creation of good music (I type as I nod knowingly to my reflection in the beer glass at my elbow).  What Allah Las do so well includes both more obvious musical touches, and some less tangible qualities.  As for the former, with four voices allowing soaring harmonies supporting the lead vocals, and no weak spots in the instrumental line up, the foundation is rock solid.  Moreover, the songwriting is tight, and has that wonderful quality of appearing effortless, despite the likelihood that it all was hard work following the inspiration.  For the less tangible, one only need to listen to the album to feel the hint of an ocean breeze, the desert sand under your boots, the warmth of the sun on your face, the thrill of hooking up and the joint pain and freedom of breaking up.  And in evoking such feeling, they also evoke a sense of place.  Worship the Sun is not only of Southern California, it represents Southern California.

The songs remain solidly mid-tempo and mostly minor key, but there is ample variety.  Britpop style garage on "Recurring",  a '60s nugget via standout track "I Have It All", hazy mid-century pop on the title track, psychedelia on "Nothing to Hide" and "501-405", a couple of surfy instrumentals, and crunchy country rock on "Buffalo Nickel" and "Better Than Mine".  While most of the recording and production was handled by labelmate Nick Waterhouse, one of the best tracks is the self-recorded and sun kissed "Artifact", which with repeated listens currently heads my list of best tracks.




The vinyl record has twelve tracks, while the digital and CD versions include two bonus tracks, including "Every Girl" --


To sample two more tracks check out the official video for "Follow You Down" and the live version of "Had It All" from Mello Johnny's Bike Shop at SXSW in March 2014.  You can stream the entire album at the Bandcamp link below.






Finally, our European readers should take note that Allah Las are invading next week.  The dates, cities and venues are below.

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Innovative Leisure

European Tour Dates
Sep 21 - Brighton, UK - The Haunt
Sep 22 - Nottingham, UK - Bodega
Sep 24 - London, UK - Oval Space
Sep 26 - Liverpool, UK - Psych Fest  @ Camp
Sep 28 - Dublin, IRE - Workmans Club
Sep 29 - Glasgow, UK - Broadcast
Sep 30 - Edinburgh, UK - Electric Circus
Oct 2 - Sheffeild, UK - The Harley
Oct 3 - Birmingham, UK - Hare & Hounds
Oct 4 - Bristol, UK - Start The Bus
Oct 7 - Paris, FR - Badaboum
Oct 9 - Amsterdam, NL - Tolhuisuin
Oct 10 - Brussels, BE - Orangerie @ Botanique
Oct 11 - Luxembourg, LX - CarreRotondes
Oct 13 - Cologne, GER - Underground
Oct 14 - Hamburg, GER - Mojo
Oct 15 - Berlin, GER - C-Club
Oct 17 - Munich, GER - Atomic Cafe
Oct 18 - Wiesbaden, GER - Schachthof
Oct 20 - Zurich, CH - Kinski
Oct 21 - Mezzago, ITA - Bloom
Oct 24 - Barcelona, SPA - Sala Apolo
Oct 25 - Madrid, SPA - Sala El Sol
Oct 26 - Bilbao, SPA - 
Antzokia
Oct 31 - Thessaloniki, GR - Principal Club
Nov 1 - Athens, GR - Fuzz Club


Tuesday, September 16, 2014

"I Am A Sardine" from Turtle & Fox


Melbourne siblings Dan and Shireen Rawlings record and perform as Turtle & Fox.  They have released a jaunty tune with an environmental message.  We understand that the duo are working on their debut LP, but for now you can take your introduction from the home-recorded and self-produced "I'm A Sardine".



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REVIEW: Further - Where Were You Then?

There was plenty of good music in the '90s, but there was a bit too much Britney Spears, Hanson, Red Hot Chili Peppers, boy bands, rappers who can't distinguish themselves from the pack, and U2 still in existence, so it doesn't rate as my favorite decade.  However, thanks to the good taste of the folks at small UK label Bad Paintings we are reminded of the gems we might miss if we dismiss the '90s too quickly.  Exhibit A is Where Were You Then, a compilation of the output of Southern California's Further.  Consisting of 13 tracks representing, in chronological order, the best of their singles, it demonstrates why this band was selected to play with the likes of Sebadoh, Pavement, Beck, and Flaming Lips.

Further was founded by brothers Darren and Brent Rademaker, Kevin Fitzgerald, and Josh Schwartz.  They released records on several labels, but eschewed an opportunity to sign a major label contract.  Listening to the songs on Where Were You Then, I'm struck by the the atmosphere of freedom, of we do what we want to do, that infuses the tracks.  The fidelity is low, the garage rock quotient is high.  This is the joy of shredding -- loud guitars, pounding drums, driving bass, and pop song melody and vocals snugly nestled inside the sonic storm.

The Rademaker brothers went on to form Beachwood Sparks and The Tyde, both of which are probably are better known.  But the Further chapter should be known and celebrated.  These are great songs, and represent the best of harder edged garage rock.  Thank you, Bad Paintings!









Pre-Order link for Physical
Pre-Order link of digital
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Monday, September 15, 2014

Time for some digital Dick diving!

"Say what?" I hear from our loyal readers.  You want us to do what with what?  I can't tell you how disappointed I am that everyone's mind immediately heads for the gutter instead of, for example, to their bookshelves to re-read Fitzgerald's Tender Is The Night.  But the real reason for my post has nothing to do with your base desires or your reading list.  It is to inform you that one of my favorite bands, in fact the band whose 2013 album was my album of the year (link), have scrimped, saved and stolen the coffee fund at Chapter Music to fund a trip to the United States.  The first date is September 19 in Los Angeles, and a list of shows and venues is provided below with, in some cases, links for ticket purchases.

I've already spilled a month's supply of digital ink extolling this Melbourne-based project, and those who are interested can use the search function on this page to find it.  But I'll point out that in my view Rupert Edwards (guitar, vocals), Alistair McKay (guitar, vocals), Steph Hughes (drums, vocals), and Al Montfort (bass, vocals) may some of the most charming, grounded, evocative and engaging guitar pop available today.  And to entice you to consider attending one of the shows on the tour (and/or buying some of their music, I've provided a little digital Dick Diver concert below.  So relax and listen to some Dicks at work.

First up is the B-side from their recent No Name Blues 7" for North American label Fruits & Flowers.


Next we have three songs from their excellent 2014 LP, Calendar Days -- the title track, "Water Damage", and "Alice.






"Time Life Life" is from a 2012 compilation for the band's Australian label, Chapter Music.



And I'm closing with two wonderful tracks from their first LP, New Start Again.  They are the first two tracks from the band that I heard, and I hope you like them as much as I do.




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Friday 19th September –
LOS ANGELES–
at Jewels Catch One
w/ Bouquet and Tortured Genies

Saturday 20th September
SAN FRAN
at Makeout Room
w/ Greg Ashley

Sunday 21st September
OAKLAND
w/ Michael O + Odd Hope
https://www.facebook.com/events/1451328215132203/

Monday 22nd September
DAVIS
at Third Space
With Michael O and G Green
https://www.facebook.com/events/1516920961858527/

Tuesday 23rd September
PORTLAND -
House Show! (address oncoming)
w/ Woolen Men and Shelley Short/Jack Lewis collab

Wednesday 24th September
SEAVIEW (At the beach! Near Portland)
at the Sou Wester
with Michael Hurley and Shelley Short
(and it's the launch of the Sou Wester's new SPA!)
https://www.facebook.com/events/689069101174308/

Thursday 25th September
NEW YORK
at CAKESHOP
w/ Final Bloom, Sapphire Mansions and The New Lines

Friday 26th September
NEW YORK
at DEATH BY AUDIO
w/ PC Worship, Free Time and Guerilla Toss

Saturday 27th September
PHILLY -
at Boot and Saddle
with Dark Blue

Sunday 28th September
PITTSBURGH
at Gooski's
with The City Buses

Monday 29th September –
DETROIT
at UFO Factory
w/ The Feelings

Tuesday 30th September
NASHVILLE -
at FooBar
w/ R Stevie Moore and The Stevens

Thursday 2nd October
CHICAGO -
at The Burlington
Noise in My head book launch
w/ xNOBBQx and X Wave
https://www.facebook.com/events/682251805191497/

Friday 3rd October
MINNEAPOLIS –
Hexagon Bar w/ The Velveteens + others
(presented by F Scott Fitzgerald Society)

REVIEW: Skinny Dipper - Masks EP

Summer may be nearly over, but it isn't so over that you can't enjoy Skinny Dipper.  And for this skinny dipping experience, you don't have to get wet or take off your clothes, although we have no objection if your preferences take you in that direction.  Skinny Dipper is an nine-piece group consisting of eight women and one man, and boasting some of the best vocals you'll hear on record this year.  Apparently Alex Kenzel (of Blochestra) and Vicki Cole (of Randolf's Leap) began the project as a personal songwriting exercise, but happily decided that the songs deserved a wider audience.  The project swelled with reinforcements from bands such as Randolph's Leap, Quickbeam,  Aerials Up, and Trapped In Kansas, leading to gigs, increased public profile, and now the five-track Masks EP on Olive Grove Records.

The instrumentation on this EP is full and varied, including two violins and a flugelhorn, as well as the usual guitar, drums and keyboard.  The melodies are divine, with cinematic scope, and the lead vocal and supporting harmonies could melt the coldest heart.  This little record will make both your sunny fall days and chilly nights better.  And while it is an auspicious debut, I suspect this assembly can go even higher with more time.

The opening track --


The closing track --

Skinny Dipper are Alex Kenzel (vocals), Vicki Cole (guitar), Heather Thikey (violin), Ali Hendry (flugelhorn), Gillian Higgins (keys and vocals), Cat Calton (violin), Ruth Campbell, Monika Gromek, and Iain Symes-Marshall.  Masks EP is out now in vinyl and digital formats.

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Saturday, September 13, 2014

Introducing: Nieves

Nieves are a new talent from Glasgow.  Indelibly Scottish by their unmodulated accents and their embrace of both the light and the dark side of human existence, the group consists of Brendan Dafters (vocals/guitar) and Herre de Leur (piano/percussion).  And the darkness certainly is front and center on their latest offering, "Straight Line".  A sparsely adorned vocal and piano song about a terminally ill child, told from the perspective of an older sibling, one cannot help but be impressed by its grace and depth of emotion, despite its sad theme.

Two other tracks from Nieves are included below, as well as a video for their first released song, "Winter".  To my ears, the lyrics are poetic and evocative, and the arrangements simple and suitably supportive, dominated by de Leur's elegant piano.










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Friday, September 12, 2014

REVIEW: Robert Scott - The Green House

Life has many uncertainties, but one thing I've learned to count on is the quality of Robert Scott's songwriting.  If this New Zealander pens a tune, I know I want to hear it and I know that I am very likely to enjoy it.  The songcraft for which he is most widely known is his work for his band, The Bats, which has a three decade history of excellent songs (review of the recent release of their early albums here).  But he also contributed to creating songs for The Clean, for which he is the bass player, and as a solo artist.  Amazingly, Scott's writing shows no sign of the well running dry.  The Bats' most recent outing, 2011's Free All The Monsters contained some of that group's best work (our review here).  And now we have his latest solo album, The Green House, consisting of 12 tracks on which Scott reveals his thoughts in a somewhat quieter, slower-paced fashion than his other projects.  The melodies are fine, and finely-tuned; more relaxed than on songs penned for The Bats, but thoroughly engaging and adorned with various textures and thoughtful flourishes.  And playing guitar, bass and keys for the recording, one has to assume that Scott got the sound he wanted.  As one would expect, the vocals feature Scott's tenor, almost delicate with a hint of smokiness.  But the artist was inspired to add the vocal contributions of gifted young Kiwi singer-songwriter Hollie Fullbrook, who records and performs as Tiny Ruins (and reviewing her album is on my long "to do" list).  Hollie's voice can be sweet and crystalline, or mature and knowing, and her contributions add the depth and contrast that Scott undoubtedly was anticipating when he invited her to the recording sessions.

The album begins with the superbly moody mid-tempo "Lights Are Low".  Taut and almost ominous, with winning vocal interplay between Robert and Hollie, it merges dream pop and folk rock to wonderful effect, and is the perfect beginning to the album.  The following "Lava" showcases Scott's restraint and use of space to highlight the melody and vocals.  The guitar pop muse prompts the delicious third song "Vertigo" (funny, I almost looked at the liner notes to see if Bob Mould guested on that one).  The quietly elegant "Lazy Boy" brings a bit of the English folk song to the proceedings, and is followed by "Favourite Case", an acoustic instrumental that sounds like the musical representation of a summer breeze.  The first half of the album is closed out with the simply affecting lover's plea, "Now In Your Hands".

The flip side is introduced with two of my favorite songs on the album.  The first is the soaring guitar pop of "Month of Sundays".  It is not easy to explain, but it is one of those songs that just sounds like redemption.  The second is "Little Bird", an  elegant and rich folk pop tune which may feature the best vocal duet on the album.  Next are the hushed "Hear the Hondas" and the upbeat dreaminess of the appropriately named "The Starry Show".  If the earlier instrumental "Favourite Case" sounded like summer, the almost instrumental "Where the Frost Lies" sounds like a crisp but sunny late fall morning.  The album closes with the lovely "Right From Wrong", which may be a textbook example of saving the most precious moment to the end.

The Green House is out now via Flying Nun Records.  It is available on vinyl and CD, and via digital download.






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Rolling Stones Friday: Start Me Up


Tough day here, having trouble getting going.
Maybe this one from Tattoo You (1981) will do it:

 

Thursday, September 11, 2014

Old Mate - It Is What It Is

The debut album from Pat Telfer of Bitch Prefect, recording as Old Mate, is titled It Is What It Is.  And if one plays with the title to turn it into a question, it provides a nice segue into the quality of the album.  That is, what is It Is What It Is like?  The answer for me is that it is an strikingly good record.  Telfer doesn't pretend to choose a sub-genre of indie rock, resulting in an appealing variety of music.  And each song makes a convincing case for your attention.  The opening track "Medicine Man" is a bluesy roadhouse jam that sprawls for ten minutes -- and doesn't feel one second too long.  "Requesting Permission" (stream below) is a relaxed guitar pop tune, with Pat's southern Australian drawl supported by barely-there female background vocals and an organ. line.  "Something" is an urgent, chugging track that brings to mind Jonathan Richman and the Modern Lovers.  Melancholy singer-songwriter sensibility infuses the sparsely adorned "February".

The second half of the album kicks-off with "Stressin" (video below), which is a somewhat jittery instrumental for 2:45, before the simple admonition that "Sally's stressin". Driven by Telfer's baritone, the following "Know What He Wants" has a vibe that hints at Nick Cave or the Velvet Underground.  Like a ray of light, "Him" begins with a chorus of female and male voices, and continues the enigmatic refrain accompanied predominantly by a bass guitar, drum and occasional guitar strokes.  The album ends with "Truth Boy". a strutting post-punk gem that builds and then recedes with deserved confidence.

That's it.  Eight tracks, but a fair measure of running time.  The tone is a bit sinister and decadent, owing only partially to Telfer's voice and the arrangements.  The true skeleton of this record is astute songwriting.  Telfer doesn't hit you in the head; he just lets the words and atmosphere seep into your skin. Lay out some cash for this album, and you'll be richer for it.

Originally a solo project, Telfer now relies on a group of 7-10 musicians to flesh out Old Mate.  It is a credit to Telfer's vision and the players' discipline that the songs are focused and efficient, with no hint of competition for time or attention.  It Is What It Is is out now via French label SDZ Records.





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